Few movies have been able to beautifully incorporate history, culture, and mankind. Ross FlickisThe fundamental sacrifice of a group of individual groups who inject HIV as a means to regain the autonomy of a society that tries to suppress their identity in the 1990s Cuban punk subculture. Mike and Tyler Green, Ross Flickis It is a deep and impressive movie that captures the rebellion, sibling love, and the spirit of survival for the odds.
In this exclusive interview, I was able to talk to the talented lead. Hector Medina (viva,, Sergio & Sergey) And a newcomer Eros de la PuenteThe depictions of two brothers who navigate the cultural and emotional landscape of the turbulence are widely praised. Medina, which has a wealth of experience and strength in his role, reflects the method of Cuban’s punk music, costumes, and rebellious spirit shaping his character and conveying his performance. De La Puente, on the other hand, reveals the challenges and victory of being very emotionally charging and deeply rooted in historical context.
From their connection to the theme to the magic behind the scenes that revived the extremely important moment, Hector and Erotic gazed to see an attractive glimpse. Ross Flickis。 This is an interview in which we dig into their creative journey, punk power, and deep and emotional moments that define this extraordinary movie.
Still images from “Los Flickis” (Photo Credit: Lord Miller)
AAYUSH SHARMA: Congratulations to the team for the success of “LOS FRIKIS”. It is a very beautiful and heartless story. Eros, my first question, is about your character who is an idiot of his brother Paco, but travels complex and emotionally throughout the movie. As a first actor working on a debut movie, how did the entire story describe the evolution of his brothers?
Eros de la Puente: I think it was very possible to be ready to be ready. Even if I didn’t act at that moment, even if I didn’t have that scene, I just knew what I was looking at my brother’s scene or what he was doing. , You know. I will be like his brother. Because I serve this man and I follow this man. So, I think it was a big step, not a character like Gustabo or Paco, but I think he was all beautifully planned because he was like my older actor. He was much more experience than me, and he was this man who led me through his journey. So we have been there. I did exactly the same thing in a movie outside the movie. I think it’s a process that is trying to become a paco in a strange way or trying to find yourself through paco. It has just happened as an amazing by -product of our amazing relationship. We are like the other two.
AAYUSH SHARMA: HECTOR and punk subculture play an important role in forming character identity. How did punk music, costumes, and cultural elements affect and notify his depiction?
Hector Medina: Well, Rock and Roll Spirit helped me a lot. In other words, I am always looking for freedom. There are Cuban Cuban tropical punk and special bands. In other words, it was really hard to be punk in Cuba at the time. And they were very brave because they were so. Brave. At that moment, Cuban was forbidden to listen to American music. It was forbidden to have long hair. A different way of thinking was prohibited. So the spirit from Cuba’s tropical punk gave me a lot of inspiration. I’m just let me do it. After a while, I get angry, hungry and wild. These are two things that greatly help me.
Hector Medina as a paco of “Los Frixis” (Photo Credit: Lord Miller)
AAYUSH SHARMA: HECTOR, you were born in the late 1980s. This story was set in the 1990s. In other words, when these events were being deployed in Cuba, they grew up in real life. While growing up, did you hear about the lost free key and HIV? Did your perception of these individuals change while working on this movie?
Hector Medina: Yes, yes. I was born in 1989. When I first saw it, I remember I was like 5 or 6 years old. My aunt told me. Don’t look at him. Yes, DD, people, and crazy people. But I was very interested in this and these people were very different, so it was very different in a tropical country in a communist country. Imagine that. The appearance was very different. Long hair, the clothes they wore. It was very different to see the electric guitar, the sound for the first time. And in 13 years, I met Helson, who is now living. I think he’s the last frustrating, the last, the only living, and the only people Fluiki injected with HIVWho is alive? And I met him at that time, and he was very kind, very kind and always protected, I went to this place where they only put rock and roll music. So it’s like a paradise in the middle of my town. It was another culture and different people. In other words, I fell in love with those people and cooperated with this story.
AAYUSH SHARMA: EROS, this is the first actor’s first movie. Before this, you were working on a short film. Well, you are appearing in this incredible movie. If people didn’t know, they were nominated for six awards at the Latin Entertainment Film Award. How was your experience as an actor working on your first feature film?
Eros de la Puente: I was very difficult at first because I got used to all new things. And when I decided to know my character, I had to be very ready. Before that, I was all playing a theater that happened in order, but I was shot in the movie. So I had to know exactly where my character was at every point of the movie. It was definitely a challenge. However, when I had all the knowledge and was completely prepared, I felt like the best so far. My knowledge and research met Hector’s research and all other research, all of which were together. We created this magic as a set. All fears have disappeared. I was no longer thinking. At that moment, I reacted to Hector, responded to Adria, and responded to all small things in the set. Eventually it was very easy.
Eros de La Puente and Adria Algona are still images from “Los Frixis” (Photo Credit: Lord Mirror)
AAYUSH SHARMA: The last scene that tells your brothers that you don’t have AIDS is very powerful. At that moment, the friendship and deep bonds seen between them are really moving. Can you take that scene? How did you approach it, and what was your emotions when you perform those dialogue and shoot the scene?
Hector Medina: Oh, I love that scene Ross Flickis。 Also, that scene was my cast. Oh, when I did that scene, the next day, the director Mike and Tyler called me and said, “You got a job.” And the scene had all emotions from the first day of the movie for that day. Since we built a character together, it was a great experience to play with the microphone and Tyler. They wanted to reach the point where I could cry and laugh. It was the last scene, so I had to create a great last scene. And we needed to confirm that it works. We were very happy that day because we did well.
Eros de la Puente: I think we did it well. And I remember that day. It was a very stressful but beautiful day because there was this beautiful moment before shooting the scene. We were talking together -No, we were not really talking, I fix myself -sitting with each other in silence. Why am I just there? As you know, we were silently sitting next to each other without talking. And we went to the set and played the scene. And we felt this strange and invisible thread connecting us. And it was beautiful.
“Los Frickiss” I will come to streaming immediately.
