We are used to seeing virtual reality drawn with malicious intent as in a movie matrix,, Favorable (Forgoted 90’s classic) A man with a lawn mowerIt is really surprising to see what VR is handled in a positive way. In Florau luzThere is no major drawback of VR premiered at the Sundance Film Festival this week. This is another way for humans to connect. And in the case of two lonely leads in the movie, art gallery worklene (Sandrin Pina) and pseudo gangsterway (Xiaodong Guo), VR works as a human connection. Both drift.
Set the modern peppers (a futuristic city with a lot of neon looks more like science fiction than the real thing), and the characters are set. luz Live with technology familiar to us. Smartphones and fans -like live stream featuring young girls are commonplace. However, the movie virtual reality hardware -goggles like the schema and the fingertips similar to the witch’s claws are one step ahead of us today. luzBoth the name of the movie and the VR world that people visit are attractive artifacts in the immersive real space several years ago. It was before I knew that it could be the main input mode of the VR/AR headset like Apple’s Vision Pro.
Len and Way experience the VR world luz As an escape from their real world troubles, it has been proven that it is ultimately useless. Len is connected to his stepmother’s Sabine (the legendary Isabel Huffer) and connects with the owner of the emotional Paris gallery who is avoiding the help of the potential illness of fatal illness. On the other hand, Way is trying to reunite with his alienation daughter FA.
The lead story intersects during the mysterious neondia in -game hunting expedition. "victory" luz。 Way and Len reluctantly join, and ultimately begin to find a way to heal emotional wounds. It’s an interesting concept, but we don’t spend enough time for both characters to hang on VR and really sell their relationships.
luz Do not try to provide the world of CG VR completely Lady Player 1 (Thanks to God) Instead, we will see the neon lights in clothes, floating particles, and characters, which are rich in real world. Obviously, it’s a simple way to convey VR, but this movie also has the same technology version as a real world. If VR really immersed, why bother the actual connection? (In style, it reminds me Shell’s ghost Director Mamorous Forgoted Polish science fiction movies AbalonWe also investigated how people redefine themselves in VR simulation. )
Lau has been going for a very long time to create a gorgeous VR image, but what the movie really needs is that two leads sitting and talking to each other, but staring at the distance. It is more time, rather than guessing. In just one hour and 42 minutes, there is enough space for more character search. But at least, you can get an interesting conversation between Len and Sabine. Happer is her typical and attractive self. (Probably the most incredible aspect of the movie is that Sabine, the hip joint in the visual arts scene, was not trying VR. Until Ren persuaded her, installed since 2016 That’s a new concept because I saw VR.
Luz is approaching a wonderful movie and has a movie shooting composed with its powerful performance and confidence. However, through any of the suppression or weak script, we do not always have a sense of how the lead is related to the world and how they are related to each other. 。 The overall approach is too cold and far away from a movie about re -discovering human connections.
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