What’s your favorite romantic movie, whether it’s a happy movie or a sad movie, that moves you to tears? Perhaps it’s Leo McCurry’s Four Handkerchiefs movie, Love, starring Charles Boyer and Eileen Dunne. “The Affair,” or perhaps McCurry’s own remake of “An Affair to Remember,” starring such insanely photogenic actors as Cary Grant and Deborah Kerr. And there’s also a riff on the Nora Ephron romantic comedy that appeared in those films, “Sleepless in Seattle,” which was headlined by Tom Hanks and Meg Ryan. Would you rather have an ugly cry? Arthur Hiller’s “Love Story” and Frances Ray’s score will keep you hooked as Ryan O’Neal loses the love of his life to Ali MacGraw. Feeling emotionally burned? Bernardo Bertolucci’s Last Tango in Paris will amaze you and put you in any mood. but love.
For fans of the “love story” flavor, John Crowley’s “We Live in Time” is a tear-jerker, with two charming stars like Andrew Garfield and Florence Pugh at the top. They performed a wonderful and exciting number. The two in this movie are such a believable couple that I can’t help but wonder if they studied the combinations of classics from the past. They certainly have their favorites, and you might be surprised to find out which one Pew prefers.
blue is like florence pugh’s color
in a parade interviewGarfield and Pugh named their favorite on-screen couple. Garfield instinctively agreed with Hanks and Ryan, but Pugh had other ideas – and the film has been controversial since winning the Palme d’Or in 2013. Pugh said at the parade:
“Oh, ‘Blue is the warmest color.’ [Lea Seydoux and Adele Exarchopoulos] They are so in love that they just look at each other, as if they are eating each other with their eyes. ”
Blue is the Warmest Color, directed by French filmmaker Abdellatif Kechiche, is an unforgettable romance shared between a teenager (Exarchopoulos) and a slightly older woman (Seydoux). It’s intense, difficult, and if you dig into the history of its production, it’s more than a little problematic. Even though all three were promoting the film, Kechiche’s angry reaction to criticism of the way he directed his young cast (for example, it took 10 days to film the much-talked-about sex scene) It gave off a bad smell. Even if he was taken aback by their comments, he was literally the adult in the room. This should be a time of reflection.
That aside, I hope Exarchopoulos and Seydoux take some measure of pride in their work. Because, as Pugh said, they’re great in this movie (one of /Film’s top 25 teen dramas).
